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音乐剧《泰坦尼克号》在北京天桥表演艺术中心拉开了中国巡演的序

音乐剧《泰坦尼克号》在北京天桥表演艺术中心拉开了中国巡演的序

作者: 梅姐 发布时间:2019-12-02

音乐剧《泰坦尼克号》的演员阵容将于周二在北京天桥表演艺术中心拍照。照片:Chen Xi / GT



音乐剧《泰坦尼克号》于周二在北京天桥表演艺术中心举行了首场中国巡演。

根据音乐剧制作人丹妮尔·塔伦托(Danielle Tarento)的介绍,演员和工作人员非常兴奋地来到中国巡回演出。她说,她相信中国观众将能够充分享受英语的制作,而不必担心任何文化上的误解。

“该节目与其他音乐剧非常不同,因为它涉及到人类,我们都明白这一点。主题是普遍的,从这个意义上讲,它将感动每个人。即使您不了解,该节目也会打动您,并打动您。语言,因此我们不必担心中国观众在欣赏节目时会遇到麻烦。”塔伦托周二对《环球时报》表示。 

詹姆斯·卡梅隆(James Cameron)的电影《泰坦尼克号》(Titanic)在1997年在中国的票房上大获成功。这部电影确保了中国观众对注定的豪华班轮的故事非常熟悉,但导演汤姆·索瑟兰(Thom Southerland)表示,他认为音乐和电影与彼此。 

“两者的故事背景是相同的,但音乐剧比电影更真实。音乐剧来自真实的历史,使用现实主义刻画了来自不同社会阶层的乘客和机组人员之间的真实故事。剧本符合真实的历史人物。音乐剧带给您身临其境的体验。当您观看上半场时,您可能会忘记飞船撞向冰山并完全与故事中的人物产生共鸣的结果。”周二的新闻发布会。 

他解释说,尽管音乐剧不会向观众展示这艘巨型船,但他们的想象力将使他们看到它。

“我希望这场演出能够真正进入观众的心中。这一切都在您自己的脑海中。这场演出可以使您认为自己已经参与其中了,我希望中国观众能感受到他们是旅途中的一部分。所有这些字符,”他补充说。 

音乐剧的另一个特点是它是合奏剧。

 节目的女演员之一维多利亚·塞拉说:“我们没有所谓的“主角的光环”,因为我们都是节目的主角。” 

音乐剧《泰坦尼克号》将在北京天桥表演艺术中心演出,直到11月24日,之后将巡回演出华东地区的上海,华东地区的江苏省的南京市和华南地区的广东省的广州市。

1997年横扫了托尼奖的所有五个类别,包括最佳音乐奖和最佳编曲奖。1997年4月23日,《泰坦尼克号》在百老汇的伦特·冯塔纳剧院首演,并于1999年进行了更广泛的巡回演出。它已在荷兰,德国,爱尔兰和加拿大等许多国家演出,并已被翻译成八种语言,例如包括日文,法文,荷兰文和德文。


The musical Titanic kicked off the first show of its tour of China at the Beijing Tianqiao Performing Arts Center on Tuesday.

According to the musical's producer Danielle Tarento, the cast and crew were very excited to come to China for a tour. She noted that she is confident that the Chinese audience will be able to fully enjoy the English-language production without having to worry about any cultural misunderstandings.

"The show is very different from other musicals because it is about humanity, and we all understand that. The subject is universal and in that sense, it will touch everyone. This show will attack you, and move you even if you do not understand the language, so we are not worried that the Chinese audience will have a problem when enjoying the show," Tarento told the Global Times on Tuesday. 

James Cameron's film Titanic was hugely successful at the box office in China in 1997. The film ensured that Chinese audiences were very familiar with the story of the doomed luxury liner, but director Thom Southerland said he believes that the musical and movie are very different from each other. 

"The story background of the two is the same, but the musical is more real than the movie. The musical comes from the real history, using realism to portray the true story between the passengers and crew from different social classes. Every character in the play corresponds to a real historical figure. The musical brings you an immersive experience. When you watch the first half, you may forget the result of the ship crashing into the iceberg and completely resonate with the characters in the story," said Southerland at a press conference on Tuesday. 

He explained that while the musical will not show the giant boat to the audience, their imaginations will allow them to see it.

"I expect that the show can really go into the audiences' hearts. It is all there in your own mind. This show can make you think you are on board, and I want the Chinese audience to feel they are part of the journey with all these characters," he added. 

Another trait of the musical is that it is an ensemble play.

 "We do not have the so-called 'protagonist's aura' because we are all the leading characters in the show," said Victoria Serra, one of the show's actresses.

The musical Titanic will be performed at the Beijing Tianqiao Performing Arts Center until November 24, after which it will tour to East China's Shanghai, Nanjing in East China's Jiangsu Province and Guangzhou in South China's Guangdong Province.

A musical famous world-wide, Titanic swept all five categories of the Tony Awards in 1997, including Best Musical and Best Orchestrations. On April 23, 1997, Titanic premiered at the Lunt-Fontanne Theatre in Broadway and went on a broader tour in 1999. It has been performed in many countries including the Netherlands, Germany, Ireland and Canada, and has been translated into eight languages such as Japanese, French, Dutch and German.



音乐剧《泰坦尼克号》在北京天桥表演艺术中心拉开了中国巡演的序
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