今年的好电影让人目不暇接,近日,《时代周刊》(Time)评出了2019年十佳影片,西班牙导演阿莫多瓦的《痛苦与荣耀》排名第一。
榜上有名的还有近日口碑爆棚的推理片《利刃出鞘》、韩国奉俊昊导演让人拍案叫绝的《寄生虫》、好评如潮拥有神仙卡司的《小妇人》(这部国内已确定引进)、齐集好莱坞三大男神的重磅史诗片《爱尔兰人》……
具体榜单如下,如果还有没看的,可以补起来了!
1 痛苦与荣耀 Pain & Glory
In any life, there’s only so much time to do all we want and need to do. In Pedro Almódovar’s Pain & Glory, Antonio Banderas gives the performance of a lifetime as 60-ish filmmaker Salvador Mallo—a stand-in, more or less, for Almódovar himself—who’s in so much physical pain that he’s uncertain whether he’ll ever work again.
无论是谁,人生只有那么多时间让我们去做所有想做和需要做的事。在导演佩德罗·阿莫多瓦的《痛苦与荣耀》中,安东尼奥·班德拉斯饰演一位60多岁的电影导演萨尔瓦多·马洛——这个角色或多或少地有着阿莫多瓦的影子——他病痛缠身,不知道自己能否继续工作。
Worse yet, his suffering is so intense that he may not care; instead of life after death, he’s settling for death before death, a premature leave-taking that’s a betrayal not just of his gifts, but of the time on earth any of us are given.
更糟糕的是,他的痛苦太过强烈,他或许已经不在乎了;他无所谓身后之事,在死亡到来之前就已认命了。过早的告别背叛了他的天赋,更背叛了人在世上被赠予的时光。
But an anniversary screening of one of his older films sets off a chain of events that shifts everything: A lost love reappears as if conjured from a dream, and other bits of his past—particularly recollections of his mother, played as a young woman by a radiant Penelope Cruz—reassemble into a joyous, haunting interior monologue that demands to be explored visually, through his art.
然而,他的旧电影的周年纪念放映引发一系列事件,改变了一切:一段逝去的爱如变魔术一样重新出现,还有其他往日生活的点滴——尤其是对母亲的回忆,年轻时的母亲由光彩照人的佩内洛普·克鲁兹扮演——再次唤起喜悦的、难以忘怀的内心独白,这一切需要通过他的作品探索看到。
Pain & Glory may be Almódovar’s most resplendent and moving film, a panorama of vibrant paint-box colors and even more intense emotions—and a hymn to the mysterious whatever-it-is that keeps any of us going, in the years, months or days before our bodies betray us.
《痛苦与荣耀》可能是阿莫多瓦最光辉灿烂、动人心弦的电影。这部电影是一幅用鲜艳的色块和更加强烈的情感绘成的全景图——也是对生活中出现的无论它是什么,但能在身体背叛我们之前的岁岁年年里,促使我们继续向前的事物的颂歌。
resplendent [rɪ'splendənt] adj.辉煌的;华丽的
2 爱尔兰人 The Irishman
The world doesn’t need another gangster movie, not even one from Martin Scorsese—or so you may have thought before The Irishman.
在看《爱尔兰人》之前,你觉得这世上再不需要别的黑帮电影了,甚至马丁·斯科塞斯导演的都不需要了。
Scorsese's 3½-hour saga is based on the story of real-life low-level mobster Frank Sheeran (played, superbly, by Robert De Niro), who claims to have killed Jimmy Hoffa (a marvelous Al Pacino), the onetime Teamsters president who disappeared in 1975.
斯科塞斯这部长达三个半小时的史诗电影讲述了现实中的小匪徒弗兰克·希兰的故事(由罗伯特·德尼罗精彩演绎),他自称杀死了吉米·霍法(由阿尔·帕西诺出色扮演),霍法在1975年失踪,自媒体平台赚钱,曾是美国分布最广的工会Teamsters的主席。
For roughly its first two-thirds, The Irishman is hugely entertaining. Then it shifts into something far more complex. It’s a melancholy mob epic.
电影前面约三分之二的内容相当有趣,之后就变得复杂得多。这是一部幽暗悲伤的黑帮经典影片。
melancholy [ˈmelənkəli] n.〈文学〉忧愁
3 好莱坞往事 Once Upon a Time…in Hollywood
Quentin Tarantino concocts a fantasy in which Sharon Tate—the actor murdered by Manson family members in 1969—gets the much happier ending she deserves.
在昆汀·塔伦蒂诺虚构的电影故事里,莎朗·泰特——这位在1969年被曼森家族杀害的著名女星——得到了更好归宿。
Margot Robbie plays Tate in a small but potent role; she’s the patron spirit of a late-1960s Hollywood in which a has-been actor (Leonardo DiCaprio) and his stunt double and buddy (Brad Pitt) struggle to find their place.
玛格特·罗比扮演了泰特这个戏份不多但关键的角色。泰特是20世纪60年代末好莱坞的守护神,而过气演员(莱昂纳多·迪卡普里奥饰演)以及他的特技替身兼好兄弟(布拉德·皮特饰演)努力想要在好莱坞翻红。
This is Tarantino's most affectionately detailed picture, filled with tenderness for a lost Hollywood, and a lost era of filmmaking.
这部电影是昆汀最用情、细腻的作品,充满了对已经陨落了的好莱坞和电影业的无限柔情。
4 婚姻故事 Marriage Story
Adam Driver and Scarlett Johansson, both astonishing, star as a married couple in the midst of breaking up: To their horror, and ours, their at-first amicable split grows into a monster they had no idea they were capable of creating.
亚当·德赖弗、斯嘉丽·约翰逊,两位令人惊艳的演员,扮演一对感情破裂的夫妻:让他们,也让大家害怕的是,这对夫妻之间最初的和平分手逐渐变成一只恶魔,始料未及。
This is Noah Baumbach’s most emotionally ragged movie, an acknowledgment that compromises aren’t nuisances that detract from life; they’re the stuff it’s built on.
这是诺亚·鲍姆巴赫情感上让人最为疲惫的电影,它告诉人们一个道理:妥协让步并非伤害人生的羁绊,而是构建生活的砖石。
nuisance ['njuːs(ə)ns] n.讨厌/有害的东西/行为
5 小妇人 Little Women
自媒体大全《时代周刊》评出2019年十佳电影,每一部都想看!
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